I don't think I'll ever escape the fact that I don't belong anywhere in particular. I've often dreamed about going back to Nigeria, but that's a very romantic notion. It's a hideous country to go to in reality.

People are more likely to pass me on the street without recognizing me, and that's good.

Across the board, Australian films need to have a lot more money spent on selling them.

One of the positive aspects from my point of view in terms of lifestyle doing film is that I can say "Well, I'm now going to have three months where I'm just going to hang out and be with the family".

I keep thinking I should get a phone, because everyone's got one and it becomes increasingly difficult to exist in a society where everyone else has moved ahead and you haven't.

I didn't get my licence because I wasn't allowed to. But I haven't had a seizure for a long time so I could, theoretically, get my licence. But I'm now just so used to not driving, I'm scared of what I'd do.

As human beings, of course, we're all compromised and complex and contradictory and if a screenplay can express those contradictions within a character and if there's room for me to express them, that's a part I'd love to play, so much more than a character who is heroic and one-dimensional.