Shamanism has a long history and exists to this day because of its ties to universal emotions such as happiness, sorrow, resentment, and love. It can function as an outlet during struggles with life and death and the burdens of society's absurdities including the divide between rich and poor. It opens up a way to confront reality.
Hyon GyonBlack does not signify the darkness related to death or nothingness, but a darkness that combines everything and holds the possibility of creation, a temporary death that embraces rebirth.
Hyon GyonSound words can't be understood through formal study of the language alone. They're felt when you immerse yourself in the culture or lifestyle that becomes a part of you. The Japanese language is abundant with onomatopoeia. Even though I've lived in Japan a long time, sound words are still an uncertain territory. And I think new words are being created every day. Even when I don't know a word I can sometimes connect it to a meaning using the sensations produced by the sounds, which feels like I'm playing with words.
Hyon GyonPeople do tend to fear and despise shamans but turn to them in times of desperation. Such a contradiction is a human characteristic, no? I'm more pulled to the human drama of shamans - their experience in society and identity struggles - than their transcendental power. Their drastic lives enable them to empathize with others and provide solace.
Hyon GyonDesire and loss of will tend to hurt the mind, which can lead to fear and compulsion. The result is that we suppress negative emotions, which we've been taught to be shameful of and hide, such as pain, anger, sorrow, and resentment. I take these complex and varied emotions surrounded by obscurity, absurdity, contradiction, and events out of our control such as tragedy, and project them in my work. So I understand that the images can generate fear, confusion, and anxiety in the audience, and if they're difficult to turn away from, it only means that my intention has been communicated.
Hyon Gyon