For a shaman, all things considered taboo get ripped apart, and one feels the satisfaction of being freed from agony through vituperation and laughter. Hence, shamanism could be said to have developed a means to tackle and override the barriers, oppression, and despair that tend to obstruct life.

If you are born a female and live as one, you can't deny your connection to feminism. I think if you are a female, you are a feminist. As far as my work goes, I don't want it to be interpreted solely from a feminist perspective, of course, but for a woman to have no interest in feminism or say that it doesn't concern her is self-denial. I know that sexism still exists within various societies and systems, whether blatantly or subtly. We are, however, much better off than previous generations.

Sound words can't be understood through formal study of the language alone. They're felt when you immerse yourself in the culture or lifestyle that becomes a part of you. The Japanese language is abundant with onomatopoeia. Even though I've lived in Japan a long time, sound words are still an uncertain territory. And I think new words are being created every day. Even when I don't know a word I can sometimes connect it to a meaning using the sensations produced by the sounds, which feels like I'm playing with words.

Shamanism has a long history and exists to this day because of its ties to universal emotions such as happiness, sorrow, resentment, and love. It can function as an outlet during struggles with life and death and the burdens of society's absurdities including the divide between rich and poor. It opens up a way to confront reality.

It's difficult to define catharsis. But I think that only those who acknowledge and respond to unseen worlds and energies can harness the power of those sources. The catharsis I experienced with my whole body during gut is reflected in my work.

The subjects in my work appear as unidentified ghosts that can't be said to be of this world. I've decided to call them incarnations. In various religions, myths, and legends, the word "incarnation" refers to the birth or emergence of transcendent beings in the form of humans or other bodies. If "incarnation" denotes the appearance of an abstract being in some concrete form, in a gut ceremony, a shaman could be considered an incarnation of our desires, hopes, and sorrows. The incarnations that appear in my work are always new and I meet them for the first time by drawing them.

The fabrics I've used in my work are satin and sateen. Sateen is very glossy and far from luxurious. Bright solid colors with too much sheen seem gaudy, pathetic and nostalgia-inducing. Such fabrics are reminiscent of the power of chaos in a shaman's space: overabundant offerings of food on alters, kitschy decorations, provocative shades, vigorous dancing, plaintive singing, absurd fits of crying and laughing, and self-abandonment.