I have thousands of tapes, and photos and fliers, letters, posters, artwork - basically everything that ever happened, I kept. I'm not a hoarder, though. I'm sort of a librarian.

I've had people call me from bands that are very popular, and they're like, "What do we do? We want to do what you do." It's almost impossible to do what I do, because you would have to start in 1980. You can't just do it.

Trenchmouth, really great band. Here's a photo of them in 1979 playing the Valley Green projects. It was an incredible, unusual experience. We ran a cord through the window and plugged the PA and amps into that and played right in the courtyard. It was an incredible experience. It was just local kids.

Minor Threat was an important band, believe me that it was important it in my life, but it belongs to an era that no longer exists. I'm not nostalgic. I think music today is much more important, because something can be done about it.

I never, ever had it in my mind that I wanted to be in the record industry, because I still contend that the record industry is an insidious affair. It's this terrible collision between art and commerce, and it will always be that way.

We play loud electric guitar music, and we'd hope that that doesn't mean you have to act like an asshole.

I think about Dischord. There's been a pretty consistent notion that Dischord have been some sort of "overlords" of the scene. Some people have felt 'they are too cool for us,' or 'they won't put this out,' etc. All we're doing is our own work, our own thing. That's all we've ever done. Our work.