Trenchmouth, really great band. Here's a photo of them in 1979 playing the Valley Green projects. It was an incredible, unusual experience. We ran a cord through the window and plugged the PA and amps into that and played right in the courtyard. It was an incredible experience. It was just local kids.

Now anyone can move anywhere. I've made deep connections with people around the world since I tour everywhere that I will simply never see again.

I consider the piano my 'main' instrument and have been playing for as long as I can remember. It seems to me that I might have come up with something resembling a song as early as 4 or 5 years old.

The first time I ever recorded, which was into my boom-box, I was like, 'Wow, check that out.' It sounded great. The narcotic of it was so intense - it was pleasurable. I was like, 'You sound like a band.' Then I ended up spending the rest of my life trying to chase that initial high again.

I actually looked up in my journal trying to figure out some dates and, in January 1991, America is about to go back into its first sort of actual war since Vietnam, with the Gulf War. It just seemed unbelievable at the time that this country would do that - which is funny to think about now.

I mean, why do people fight over sports? Because of the framework, the schematic of sports, those particular people seize upon these opportunities to be violent. And the number one problem using the same framework would be religion.

I'm not talking about what came later [after the American underground punk scene], indie music, or whatever you want to call it, but the music that came before that - that's an important story. So many interviews with musicians get the time or context wrong. You have these older bands, usually men, who tell stories about "Oh, we got into this huge fight, this guy punched that guy," that's the wrong sort of story. My view of the time is truly pioneering.