I put my name on that Occupy Musicians list because someone wrote to me and said, "Would you do this?" I said, "Yeah sure, I support this." What artist wouldn't support that? What's the big deal? But then people wrote to me, "Wow! You're on that list!" And I'm like, "Who isn't on that list?" That would be more shocking.

I have stuff from 1979, 1980 in my collection. But I also have things from 2012. So I don't know if it's memorabilia as much as it is holding on to things that I find relevant that most people might not.

If You Want To Rebel Against Society, Don’t Dull The Blade

I do feel like I have always, in my life, been inclined to be on the outside, walk a different path or something. Because of that, and increasingly over the years, my sense of distance from mainstream society or from the way culture works, I have a different kind of perception of it.

I work at a record label where I have archives. These things [memorabilia] occurred and are important to somebody, and they're important to me. I find the record industry largely repellent. This music, the Teen Idles, all of that stuff, is important to me. I don't have lawyers, an agent or a manager. However I find the music industry largely repellent. I just make records because that's what I love to do. So I think that era, those pieces of media, I keep in my collection.

Truth is, right now two bombs could drop out of the sky and blow up this house and whatever building you're in and just obliterate Dischord and Pitchfork. And there'll be some people crying, there'll be some slow singing, but for 99% of the world, it won't even affect the fly on their soup. Most of the world never have, or ever will hear of me, Fugazi, or Pitchfork. Right now, someone just got killed in Ukraine. Do you feel any different?

There are many things that people do happily that I can't imagine why they would do it... But I have to say that even though I am critical or judgmental of society at large, I'm not critical of people individually. We are who we are.