One aspect of our site that I really appreciate is how I put up as much information as I've been able to keep track of: dates, the venue, the city, the country, the number of people there, the door price, opening bands, that sort of thing. One of the very first comments we had was from a guy who said, "By the way, the opening band in Albany in 1993 was not the Very Nice Neighbors, it was the Very Pleasant Neighbors." That brought a great joy to me.

I put my name on that Occupy Musicians list because someone wrote to me and said, "Would you do this?" I said, "Yeah sure, I support this." What artist wouldn't support that? What's the big deal? But then people wrote to me, "Wow! You're on that list!" And I'm like, "Who isn't on that list?" That would be more shocking.

I'm really anti-option, so computers have been my nightmare with recording. I don't want endless tracks; I want less tracks. I want decisions to be made.

People will say "You must miss playing to a thousand people." But I don't. I might miss playing. That's what I would miss, but I don't miss it, because I am playing.

I feel quite connected to the past, and my memory. Everything that I've ever done I can still relate to, and feel connected to it in a way. There's no part of my life that I look at and go, 'I don't recognize that person at all.

Now anyone can move anywhere. I've made deep connections with people around the world since I tour everywhere that I will simply never see again.

"Straight Edge" was a song about my life. There was no structure, no premise as if I was forming a club. There were no tenets. I mean I wrote a song called "Straight Edge," I'll take that, but the song was about my life the way I wanted to live it.