One aspect of our site that I really appreciate is how I put up as much information as I've been able to keep track of: dates, the venue, the city, the country, the number of people there, the door price, opening bands, that sort of thing. One of the very first comments we had was from a guy who said, "By the way, the opening band in Albany in 1993 was not the Very Nice Neighbors, it was the Very Pleasant Neighbors." That brought a great joy to me.

I'm always happy when I hear about people selling records or selling books or selling movies. It makes me proud of them.

The American underground punk scene, though, is a story worth remembering.

I don't watch TV but occasionally I'll read the Washington Post. I will say that sports are the only "real thing" on television.

Part of the way the work world works is not so much creating a separation between your work and your free time, but creating the illusion of a separation between your work and your free time. Every day is the weekend for me, which means I'm always busy.

I think about Dischord. There's been a pretty consistent notion that Dischord have been some sort of "overlords" of the scene. Some people have felt 'they are too cool for us,' or 'they won't put this out,' etc. All we're doing is our own work, our own thing. That's all we've ever done. Our work.

The first time I ever recorded, which was into my boom-box, I was like, 'Wow, check that out.' It sounded great. The narcotic of it was so intense - it was pleasurable. I was like, 'You sound like a band.' Then I ended up spending the rest of my life trying to chase that initial high again.