Every song I ever wrote, I wrote to be heard. So, if I was given a choice that 50 years from now I could either have a dollar or knowing that some kid was listening to my song, I'd go with the kid listening to my song.

Part of the way the work world works is not so much creating a separation between your work and your free time, but creating the illusion of a separation between your work and your free time. Every day is the weekend for me, which means I'm always busy.

What people don't understand is that the underground that existed was created in the early 80s and was thriving throughout the 80s. Until the industry showed up it was a pretty significant network. It was all happening, but the smell of money had not wafted up high enough for the industry. It wasn't really until they came descending on Seattle that things really got out of control.

I appreciate the past, but I want to make new things. That's the problem with the sack on the back - if you carry it around with you, it's like you get hobbled.

One of my friends was a stage hand at a Bob Dylan show in the mid-90s and I remember him telling me that somebody crowd surfed during the gig. And this friend of mine was an old punk rock guy - he was totally humiliated by it. But some of Bob's people were there and they said, "Oh, Bob will be so excited! This is the kind of energy we want at his shows." That's where the old school was at.

I consider the piano my 'main' instrument and have been playing for as long as I can remember. It seems to me that I might have come up with something resembling a song as early as 4 or 5 years old.

When someone writes a really nasty piece about me. I think they're generally untrue because I think I'm a nice person.