I obviously use computers. My car is wondrous. My phone is amazing. I've already talked about the music I'm digitizing. Technology is fantastic, of course.

The thing is, people can't complain about profit-oriented moves if they're only interested in profit themselves. You can't have it both ways. If they're willing to polish up a gift and sell it to make money, they can't really complain about the fact that somebody above them has sold them down the river. That's the way it goes.

When children start to speak they find their own voice by imitating the sounds around them. It would follow that bands do the same. Bands will find their own voice at some point.

I've had people call me from bands that are very popular, and they're like, "What do we do? We want to do what you do." It's almost impossible to do what I do, because you would have to start in 1980. You can't just do it.

With Napster and the sharing of music, of course, there are going to be people who exploit it. Greed has no end. But there's a lot of good that could happen. We shouldn't let the economic concerns of the major labels infringe on our freedom to share music.

I have stuff from 1979, 1980 in my collection. But I also have things from 2012. So I don't know if it's memorabilia as much as it is holding on to things that I find relevant that most people might not.

I think what we took away from first hearing about the punk stuff in England and then the early American punk stuff was a sense of self-definition and also sort of playing music for music's sake and being part of a family for family's sake.