I can't take on all the worries of the world, you know. I can only talk about being gay and being an actor. I'll have to leave those other battles to somebody else.

My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.

As for the clarity of the 48 frames, I've heard people say that it looks odd, it's too demanding, there's too much information, you don't know where to look.

My acting stopped being about disguise and became about truth which suits the camera, so my film career took off when I came out.

That's the imagination that happens in the theater. That imagination is translated in film by the film magicians and all the technology.

What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.

I think it's one thing to declare your sexuality, if you care about what that is. It's another thing to start talking in public about what you do in private and who you do it with. It's not that they [my significant others] don't want to be identified as gay, but that they don't want to be identified as ... with me.