I don't know what's my first real memory. When you're little, you're always looking forward to days that are special, like Christmas, birthdays, the Fourth of July, and family gatherings. But I can't pinpoint my earliest memory.

We don't do movies for the industry. We do movies for the fans, for the people. If the industry give you a trophy or not, or pat you on the back or not, it's nice, but it's not something you should dwell on.

I don't know what's my first real memory. When you're little, you're always looking forward to days that are special, like Christmas, birthdays, the Fourth of July, and family gatherings. But I can't pinpoint my earliest memory.

I wanted to go in a different direction, artistically. But having somebody like Terry[Crews] in it was your ace in the hole. That makes it very strong, so I definitely had to jump in with both feet.

My advice for anyone who wants to follow in my footsteps: create your own path, hone your talent, be ready to show your talent, and don't doubt yourself.

It never gets old. Working with somebody like Kevin Hart is rejuvenating in a lot of ways. He's such a pro. He's so good.

As far as producing, once we started shooting, I soon realized where the critical decisions about the movies were really being made, and it wasn't on the set. They were being made in the production meetings. That's where producing a movie happens. And that's where I wanted to be. I didn't just want to be a piece, a pawn being played. I wanted to take part in the creative process, and that's how I sort of got introduced to the idea.