There's a lot of talent in South Central L.A., in Compton and Long Beach and Watts, and the city north of Pico pretty much sits back and waits for that talent to emerge and then steps in.

You pay to have a good time, you don't always want to pay to be schooled or sad or reminded how bad you got it. To me a movie theater ain't always the place for that.

I used to love to draw. I didn't want to go to art class because I felt that would be too corny when I was young, but architectural drafting was the cool thing to do because there was more precision. It taught me a lot about building and structures and doorways and frames and windowsills.

A lot of people have a misconception of what the ghetto is all about. You know, it's only a small percentage of the people that are bad. Everybody else is good.

When I was in N.W.A. and didn't get paid all the money I was owed, that's when the business side of showbiz hit me.

I think you have to find how the machine can work for you. That's what I mean by "attaching yourself to the machine," 'cause the machine is going to be there, and you can rage against the machine, which is cool, but there's ways that you can benefit off the machine if you're savvy enough and you're sharp enough, smart enough. We all got to live and eat.

I've always gotten good grades, you know, with my teachers and my English teachers, 'cause I was able to - they'd say, "What did you do for the summer?" I'm able to explain it to them in a written form. And my teachers always patted me on the back for that, being able to take what's in my mind and put it on paper.