You can go raise the money outside of the industry, and then what you're doing is fighting with your money to get back into the industry, or for them to use your money instead of their own. So, you got to figure out how to do it within the flow of the industry.

There's a lot of talent in South Central L.A., in Compton and Long Beach and Watts, and the city north of Pico pretty much sits back and waits for that talent to emerge and then steps in.

Some comedians you work with, they only turn on when the camera turn on, and they're like sad-faced clowns when the camera's off. And then, they come alive when the camera come on. And you be like, "Oh, damn. You're not a depressed ball of depression, but you are actually funny."

Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.

Run DMC brought us out of that underground-only feel. They brought rap above ground and made it respectable as an art form to mainstream music.

I think that my "Let's get it done! Let's have fun! Let's make a great movie!" attitude helped. I rarely have problems on my movies with egos and attitudes.

Keep everybody out your business, that's how you do it. And I mean everybody. It ain't about having a relationship outside of the house. It's about having a relationship within each other. When something go down don't be calling your sister or your mother; I'm not gonna be calling my brother or uncles. We're gonna work it out.