The thing is with hip-hop, it has its waves and the waves crash against the beach and the new waves come in. So to stay relevant you have to roll with that.

Get a grip, Oreo, and be true to the game.

Some comedians you work with, they only turn on when the camera turn on, and they're like sad-faced clowns when the camera's off. And then, they come alive when the camera come on. And you be like, "Oh, damn. You're not a depressed ball of depression, but you are actually funny."

You like a woman, she's got kids, it's a package. You can't just go in one-sided.

There's a lot of potential that goes unused in places like South Central L.A., a lot of brilliant, smart people who just don't have that chance to show it.

I'm interested in how things are put together, and that's more interesting to me than just regular shows, even though I like The Walking Dead.

I've never really taken myself too serious. That's everybody else, listening to the music or whatever. I've always said what I've felt, said what I thought was right, but I've always had a comedic bone.