I think, to me, reality is better than being fake.

People wanted to have fun more than they wanted to learn from their music, and that's where the shift started to happen.

When I was six, God was a white man with a big beard riding on a white cloud. That's the image television pumps.

Well, for the transition from rapper to actor, I was fortunate that director John Singleton pursued me for about two years to be in Boyz 'N the Hood. I really wasn't even thinking about acting at the time, since I was singularly focused on being the best rapper in the world. So, that was really a blessing, because I wasn't really taking him seriously.

We used to have MTV and all these ways we can show our videos, and it was these rap shows, and it was everything. And then it became not cool to be conscious; it became cool to just hang out. Escapism rap became the norm. And, when I say "escapism rap", I mean getting high, get your cars, get your money, get your jewelry, go to the club, have your women, and it just became all about escaping your reality and not making your reality better on a real tip; not just on the have fun tip.

You can measure films on box office success, or people lovin' the movie whenever they see it. That's what I measure my movies on. How much people love these movies after they get a chance to see them, no matter how they get a chance to see them.

There's a lot of talent in South Central L.A., in Compton and Long Beach and Watts, and the city north of Pico pretty much sits back and waits for that talent to emerge and then steps in.