You know, the radio never wanted you to speak about anything, so the music is kinda influenced by the hands of the radio which wants to homogenize it and dilute it and sanitize it. And for the most part, nobody's takin' the time to seek out the cats that are still tryin' to talk, so they have a difficult time being heard.

What I'm trying to tell people is that police brutality in the 'hood is nothing new. And the thing is that whether this guy, the cop killer in my song, is real or not, believe it, there are people at that point.

When I recorded my first album, my ego didn't let me believe that what I was gonna say on the mic, anyone would really care about. But then when I found out that they did, I started to take it more seriously.

It really really sunk into me when I went to Europe and they take rap so much more serious than we do here. That was the first time I ever heard rap considered folk music. And sometimes somebody will make you understand like, "Hey, what you doin' is serious, don't play it lightly 'cause it's changin' my life."

I never know if the person I'm shaking hands with is coming to kill me. That's something you have to live with when you cross the lines.

I look at my career and I feel I have the potential to maybe mature into a Samuel Jackson-type older cat, and people will still respect me and say 'Yo, Ice-T was wild', into my old age. And why not? I don't necessarily think I'll be rapping in 10 years.

I think men, growing up, you have to go through some form of hardship. You've got to harden the metal.