I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.

I'm not a singer, a walking instrument like Aretha Franklin. When you get an Iggy Pop record, you don't get "Iggy Sings." I am also a style of music, an approach.

If you give a good performance, something that gets some feeling across to people, that’s such a rare gift. It’s underestimated at this point in history, when the music biz is inevitably turning into a kind of politics.

I'm a little bit damaged in about 15 different ways, and it's been nice that no particular damaged area has become a major issue. I'm a more than moderately healthy 65-year-old male who has gotten away with a lot of stuff.

And if somebody's going to produce me, they should be producing my sound for me. And that's something I have to come up with myself.

In 1965, when great young white artists in the English-speaking world were successfully re-channeling hillbilly and black music - you know Bob Dylan, Ray Davies, Pete Townsend, Keith Richards - they didn't get any money at first. They were all broke.

I'm glad I am crazy, it keeps me trying. I despise trendies, I know they're lying.