I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.

Living in England was wonderfully civil and easy-going.

There are no pimps, no whores, no transvestites - gone. Now that's more the culture I'm comfortable in ... I don't like it in the house, you know what I mean, but I like it somewhere around.

If I had to depend on what I actually get from sales, I'd be tending bar between sets.

I find it hard to focus looking forward. So I look backward.

The problem being: for years I was struggling - first to prove that I had any talent, then to create some skills and finally to fulfil it reasonably. But then once I got there it was, "OK. I did that, but I want to be happy." And that's a whole different deal. It's kind of like a dance. Being active seems to help. I'm 70, so sometimes a little voice is going, "Just take it easy".

I was feeling that I was the in the dead-end circuit from 1980 to 1983, and I didn't know what else to do. I remember doing a show in some college town, in a tiny club, and afterward some fans came back. I thought I had done good gig and they were going to tell me that.