Studios are like hospitals. A lot of people check in, and they don't check out.

If I had to depend on what I actually get from sales, I'd be tending bar between sets.

I'd have a few on and off, but the commitment was always more on the girls' part than on mine, to be perfectly honest. So, I met a girl in Tokyo, on my Japanese tour, with whom I've been living ever since, very happily. Her name is Suchi.

I wasn't so stupid that I didn't realize the implications of what they were saying. In my live work I was going for the quick thrill, rather than spending time concentrating on my voice. I figured I'd get on, make as many quick movement as possible, dance my ass off for five minutes, move into the insult portion of the evening, and then, at the end, create some kind of chaos until the 55 minutes were up.

It's more fun to look at an old picture of me than it is to look at a new one sometimes. Although, I still wear a dress pretty well.

I have a hot memory, but I know I've forgotten many things, too, just squashed things in favor of survival.

There are no pimps, no whores, no transvestites - gone. Now that's more the culture I'm comfortable in ... I don't like it in the house, you know what I mean, but I like it somewhere around.