Studios are like hospitals. A lot of people check in, and they don't check out.

I don't get my bliss by listening over and over to people in the street thinking, "Boy, is it that good?" Even though every time I hear it that's what I think. But I get it in human situations. There is this little voice that is going, "The reason you're able to enjoy your life now is that you made it in rock'n'roll and people are giving you free visas all over the place. Dude, you are being spoiled".

Living in England was wonderfully civil and easy-going.

It's the same thing: I would think, "If I can't go out and pull some teenager tonight, maybe I'm no good on stage anymore." And you start to think that you even need it as a motivation. I did, anyway.

I stare at myself in the mirror and I think, 'Wow, I'm really great-looking.'... I think I'm the greatest, anyway.

Cigarettes and coffee, man, that's a combination.

I was feeling that I was the in the dead-end circuit from 1980 to 1983, and I didn't know what else to do. I remember doing a show in some college town, in a tiny club, and afterward some fans came back. I thought I had done good gig and they were going to tell me that.