I never say never about anything.

I was who I was in high school in accordance with the rules of conduct for a normal person, like obeying your mom and dad. Then I got out of high school and moved out of the house, and I just started, for lack of a better term, running free.

I spent most of the eighties, most of my life, riding around in somebody else's car, in possession of, or ingested of, something illegal, on my way from something illegal to something illegal with many illegal things happening all around me

In the morning I'd write these essays, anything that I'd feel like writing, and in the afternoon, I'd spend time with my guitar. I had decided after listening to my last four or five albums that my biggest weakness musically was melody. the reason I had been singing in a monotone over the chord patterns in my songs was that I never practiced doing melodies.

You know what I think you get scared of more - especially me, after touring for so long and being in bands for so long - you start to associate certain behavior with the music. It's like people associate having a cigarette with having a cup of coffee, or lunch.

Miami is nothing like me, and thats why I need to be here - its the opposite. Im practical, where this place is moody, Im stolid in my interior, where this place has a certain flair, and Im materialistic in a sense that this place is fundamentally spiritual - theres a quicksilver quality about this place.

I am the passenger, I stay under glass. I look through my window so bright, I see the stars come out tonight. I see the bright and hollow sky, over the city's ripped backsides and everything looks good tonight.