I'm not gonna try to defend, or undo what's been done. All I could say about whatever's been done, it's been done, and it's water under the bridge. I have no regrets of my life.

They would come down in Mississippi, they hired me as a talent scout. And I would go all over Mississippi, Alabama, Texas, and find out different artists for them.

When I met her she was Anna Mae. I was the one who turned her into Tina Turner. I had to tell her how to dress, how to walk and how to talk on stage. I told her how to stand and how to look, the whole thing, man, I mean from the wig down.

I can put a hip-hop beat to reggae. That is, I can have real reggae in the drums and in the rhythm, and on top of it I can put The Rolling Stones' feeling, anyone's feeling on top. Nobody has ever done this before, man.

The music I listened to when I was a kid was Sonny Boy Williams and Pinetop Perkins. He was the one who had the most influence on my playing. I saw him through a window playing piano and I thought it was unbelievable somebody could move their fingers that fast. And this is how I got interested in piano.

I'm just beginning to develop callouses on my fingers, because I haven't played a lot.

I'm using Fender Twin Reverbs and Fender Blues Devilles on stage.