I saw a lot of haute couture all my childhood, and without knowing it I've learned from when I was a child to recognise beautiful fabrics.

Often something more simple would be better. Sometimes I put things together - a shirt, a sweater, a jacket - and it's too complicated. I would have worn only a v-neck sweater, it would have been better. It's not the clothes but it's how you wear them sometimes.

One thing Della Valle taught me is the power to say no if something isn't right. That mattered even over sales. Now it's rolling and finally, after having been PR, boutique director, operator, messenger, and everything else, I'm finally in the role I like the most - court jester. And that's what I was doing at Chanel before.

It is true that in France, women put on less things. If they have a necklace, they don't put on earrings; if they have nail polish, they don't put on all their rings and all their bracelets.

People imagine I am always in a Bentley with pearls and diamonds and black glasses and Karl Lagerfeld next to me.

Life is never what it seems - and that’s the great thing about it

Fashion is made up of paradoxes. There was a key moment in fashion. When the Japanese first arrived - Comme des Garçons, Yohji Yamamoto, and all - I have to humbly admit that I didn't understand the importance of it at all. It was Jean-Jacques Picart who explained it to me. They had a huge influence in that they showed that aestheticism could be different from prettiness, that there was beauty and that beauty was beyond pretty.