There's a lot of music that we've never heard before. It's not like we're just pulling out December's Children by The Rolling Stones and listening to that again and again. We are listening to things we've never heard, but they do tend to be from the past.

As the fans' voting reflected, people want to hear your best-known songs.

It's one of the things that makes it enjoyable to keep playing; you have to approach each set differently and make some balance between what you want to do and what seems right.

I remember being in college and taking a class on classical music and getting a big laugh when I said very sincerely that I was not really into trained voices. Some of the greatest singers can transcend their technical perfection and still sound great.

I think the record-buying public know what they like, and when people are trying to pander to them, I think they know it. They want the genuine article, so if we try to sort of "dumb down" for the mass public, I think they're too smart for that, and would recognize us as fakes. It seems like the bands that do crossover do so really on their own terms, and they just find that their terms just kind of make a big dove-tail with the masses.

In the open air you don't play as many quiet songs as you would normally.

In terms of performance, something unexpected is always good, it's preferable if it's unexpectedly good. But unexpectedly bad has a lot to say for it as well. It's always nice to be able to look back on a show and say, "Oh, that's the night that this happened," and a lot of the worst memories are better than the shows with no memories. A good rehearsal is a lot harder to describe. A lot of rehearsals that end up feeling best are the ones where something really bad was happening, and you just kind of got past it and fought through it. Just dealing with things that are inevitable.