You write people as human beings first and then the gender specific stuff second.

In civic life, I think that's where you can debate what is good taste and what is acceptable to other people, and what's gonna offend people. Do that there, but leave it out of art, because art is the one frontier that shouldn't have restraints put on it.

I wanted to capture the excitement of house music, almost like a four-four beat, and the best way to do that was to use a language that was rhythmic and performative.

We have to accept that capitalism is coming to an end. We can't provide paid employment for people, all the industries with technology are counter-intuitive to profit, and we have to have a transition to the conceptualist society. The only way to do it fairly is as a social democracy, a radical social democracy, which isn't compromised by neo-liberalism and isn't compromised by the rich, and isn't compromised by hegemonic, authoritarian interests: to have that balance between the government, the private sector, and then the individual citizens again.

His eyes are wild, psychotic slits that bat-dance in your soul looking for good things to crush or bad elements to identify with.

The first time I went to West Virginia I was surprised by how poor it was. It was like north India, there's kids running around in bare feet. The white working class has been disenfranchised as well. It's been disenfranchised by the liberal-left as well as the conservative-right. You really have to get people right across America and Britain and Europe and the world as a whole concentrating on the economic issues that affect them, because when you don't have that, you have all these phony, racist and cultural wars, and sexist wars.

It was quite life-affirming, for me, that I felt hat kind of pity for [Margaret Thatcher], because I didn't think I ever would.