I'm quite comfortable now with being misunderstood. I don't really feel the need either to pander to it or to refute it. Just go on, and do what I've got to do.

I think that in the future, as more and more money and wealth goes to the 1 per cent, it's going to polarize into the people who are for and anti-freedom. It's not that they'll have a left and a right wing thing, it's going to be a freedom and anti-freedom polarization, I think.

When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.

The first of the Trainspotting crew to die. Out of the five of them like, Begbie, Renton, Spud, Sick Boy and [Margaret] Thatcher. Who'd have thunk she'd have been the first to go? She was the invisible author of the book, really. She created the conditions and the hubris whereby that whole culture flourished.

It’s all okay, it’s all beautiful; but ah fear that this internal sea is gaunnae subside soon, leaving this poisonous shite washed up, stranded up in ma body.

Their [BBC] idea of bipartisanship is to try not to offend the Conservative party, try not to offend the Labour party.There is no analysis of anything beyond that, and these two parties are exactly identical, following the same Neoliberal policies for thirty years. And it's no criticism outside of that, it's just that there's basically sectarian pandering to these two individual parties, these two individual organisations. They still make a lot of great programmes and do a lot of great things, but there's not much political analysis happening broader to that.

The inspiration can come in such small ways that if you sit there just waiting for the big epiphany you'll sit there for the rest of your life.