We were looking for someone who could get the film [Filth] made at that kind of level, with the finance we wanted, and we spoke to a lot of people. When I met James [McAvoy] in the Soho Hotel with Jon Baird, the director, he looked about ten years old. I thought there's no way he's going to be a forty-year-old divorced alcoholic cop. I thought, really lovely guy, I'll let him and John talk and see if they get on.

People are really excited by Obama abroad because he seems to be the first American presidential candidate who has ambition to go out of the country. In a sense, with the power of globalization, you are kind of electing the leader of the Western world to an extent.

Bruce, you’re an ugly and silly old man. You’re very possibly an alcoholic and God knows what else. You’re the type of sad case who preys on vulnerable, weak and stupid women in order to boost his own shattered ego. You’re a mess. You’ve gone wrong somewhere pal.

I think just getting up and getting to the desk is a big thing. If you can do that, you're in the zone because there're so many distractions that can stop you. From my bedroom to my office isn't really that far, but I have to go via the kitchen and there's so many things that can stop me and interrupt me.

You've got first-generation Americans here who are going to be poorer than their parents. That's never happened in the States before, and it's going to have massive social repercussions here.

There's no one way of telling a story or looking at reality, so I think any device is up for grabs as long as it fits in with the tone.

When I first started to get into writing, it was via music. I'd generate ideas for songs that would turn into stories, then they'd turn into novels. I was biased toward music.