It was quite life-affirming, for me, that I felt hat kind of pity for [Margaret Thatcher], because I didn't think I ever would.

I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.

Chicago is seen as everything that Trump detests, which I think kind of reflects really well on the city I think, because it's a mark of what a classy, cool, sort of place it is. You can't tame everyone in America, as much as these people would like to, into some kind of small-town, Southern community.

The celebration of death is not a good thing. Fetishizing death isn't a good thing. You should be celebrating life and enjoying it and all that.

I wanted to capture the excitement of house music, almost like a four-four beat, and the best way to do that was to use a language that was rhythmic and performative.

Bowie's death is a very emotional thing. My generation of working-class Britain, it feels like we lost our spiritual leader, our guru. I always thought that if I was to be a hundred, somehow Bowie would be a hundred and fifteen. He'd be there to still steer me and guide me.

I'd always done a lot of sniffing glue as a kid. I was very interested in glue, and then I went to lager and speed, and I drifted into heroin because as a kid growing up everybody told me, 'don't smoke marijuana, it will kill you'.