People even split up by text message, they dump each other by text. Everything seems so disposable, so throwaway, but you have to engage with that if you're writing about the modern world. You've also got all these pop references that you feel obligated to make. They're just part of the bricolage of the whole thing, whether or not these are actually significant elements themselves.
Irvine WelshMost people with good jobs, middle-class occupations, what have you, are only one pitfall away from social embarrassment and destitution. It's so precarious. Even salaried people in the West now feel this sense of being trapped, not having the freedom to strike out.
Irvine WelshNow, for the first time, he's seeing that there really is a way out of this, and it's all so simple. You don't have to run away. You just meet somebody special and step sideways into a parallel universe.
Irvine WelshIt was quite life-affirming, for me, that I felt hat kind of pity for [Margaret Thatcher], because I didn't think I ever would.
Irvine WelshI'm more of a warrior than you'll ever be. I believe in the class war. I believe in the battle of the sexes. I believe in my tribe. I believe in the righteous, intelligent clued-up section of the working classes against the brain-dead moronic masses as well as the mediocre, soulless bourgeoisie.
Irvine WelshWe were looking for someone who could get the film [Filth] made at that kind of level, with the finance we wanted, and we spoke to a lot of people. When I met James [McAvoy] in the Soho Hotel with Jon Baird, the director, he looked about ten years old. I thought there's no way he's going to be a forty-year-old divorced alcoholic cop. I thought, really lovely guy, I'll let him and John talk and see if they get on.
Irvine Welsh