I didn't want to become an actress because the competition with my mother would have been to much to live up to.

Food is a big part of my culture, so everyone knows how to cook. When I came to America and asked a babysitter to softboil an egg for my son and she didn't know how, I was shocked.

I don't think a Hollywood actor is safe from acting in the rain: it all depends on the film.

Mama wrote a letter to my father saying' I want to work with you' and she ended the letter saying' in Italian I can only say ti amo( I love you)' and of course the press used that to say women are sexual predators, in 1949 they made a first film together,' Stromboli', and they fell in love and my mother became pregnant with my brother Roberto before she could obtain a divorce.

If you go to a therapist, they say, 'Are you sure? How do you feel about your wrinkles?' And I say, 'I don't know, because I don't really see them.' I see my hands, but I don't see my face, so it's not a torment. I only see it for five minutes in the morning when I brush my teeth! When you read women's magazines you always read about this drama of getting old, about anti-aging cream and plastic surgery and whatever else. But I think if you're independent, like I have grown to be, it's welcome.

What I think has been wonderful about my life is that it has been diverse, and that I've been able to do so many different things. I was able to evolve from modeling into acting. And then when acting opportunities became limited because of my age, I was able to become a writer and director and author. So, I am grateful to myself that I didn't just sit around and become nostalgic about the past that has been and can't come back, but that I instead decided to move on.

When I took my clothes off in Blue Velvet, I wanted to convey the brutality of sex abuse. I wanted to look like a quartered cow hanging in a butcher shop as well as disturbingly appealing.