Once you have made the decision to do the film, once you have identified the desire and all the deep and personal, intimate, artistic reasons why you want to do the film, then it's more a matter of how to do things

In a very complex way, things have improved in the dramatic field. Before you had the good and the bad and you couldn't mingle them. Now it's more ambiguous.

I don't know if you ever say to yourself that you want to be an actress. It eventually becomes a social function - you are an actress and you make a living out of it, but at the beginning it's more a matter of how to survive, or how to exist in a certain way.

For a long time I have compared cinema to music, I think cinema has a lot to do with the rhythm of music.

I think being an actress is more how to cope with the fact that you can't do anything else than to express a talent. It's a way of being untalented for anything

To be "here and now," in principle, is just for once. And then you have to repeat that.

When you come to do the film, it is not the time to wonder why you do it. It's just how to do it