Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history.

Two of the great leaders of the past - Booker T. Washington and Frederick Douglass - had White fathers - who deserted them. Now Margo Jefferson, who is hard on me and the fellas, wrote in the Times that she has nocturnal, erotic fantasies about John Wayne. What's up with these feminists? Do you see these double standards these feminists have? They dream about John Wayne, but they're hard on us [Black men].

I was roommates with 2 of the guys who were influential in forming the Black Arts philosophy. I called them "goons," and [Amiri] Baraka took offense at that. But if you read his autobiography, the night we went up there for a fundraiser, he talks about how he wished that some violence would happen to us. How do you like Baraka as a gracious host?

I walked out on American Gangster: this evil piece of dreck. Defenders of this junk say that these movies give Black actors jobs. So did "Birth of a Nation."

Phillip Roth uses his Black women characters to make anti intellectual remarks about Black history month, begun by a man who reached intellectual heights that Roth will never attain. Roth is a petty bigot and his ignorant remarks about black culture expose him as a buffoon to scholars the world over.

My stuff is direct. Critics have compared my writing style with boxing all the way back to 1978 when my first book of essays appeared: it was compared to Muhammad Ali's style.

I don't know why people always compare me [ with Amiri Baraka] I was never part of the Black Arts Repertory Theater or the Black Arts Movement; people who claim that I was are wrong. I was downtown. I was living in Chelsea when they were operating in Harlem.