My work holds up the mirror to hypocrisy, which puts me in a tradition of American writing that reaches back to Nathaniel Hawthorne.

I'm beginning to believe that Killer Illiteracy ought to rank near heart disease and cancer as one of the leading causes of deathamong Americans. What you don't know can indeed hurt you, and so those who can neither read nor write lead miserable lives, like Richard Wright's character, Bigger Thomas, born dead with no past or future.

We learn about one another's culture the same way we learn about sex: in the streets.

What I can't understand why Blacks can't achieve royal status when it comes to forms that they have largely created? I mean there's a White King of Rock n' Roll, there's a White King of Jazz, how come we can never achieve titles of royalty in these fields we are supposed to prevail in? They held a so called Rock and Roll Hall of Fame the other night, where White judges credit people who resemble them with the invention of Rock and Roll. I didn't even see Blacks in the audience.

In the middle of the next century, when the literary establishment will reflect the multicultural makeup of this country and not be dominated by assimiliationists with similar tastes, from similar backgrounds, and of similar pretensions, Langston Hughes will be to the twentieth century what Walt Whitman was to the nineteenth.

Multicultural is not a description of a category of American writing-it is a definition of all American writing.

David Simon [the creator of The Wire] and I have a running controversy for years. It all stems from a telephone call I made to KPFA [Pacifica radio] when he was a guest there in the 90's on Chris Welche's show. He was going around the country with a Black kid from the Ghetto to promote something called The Corner - it was all about Blacks as degenerates selling drugs, etc.