My generation of writers has been prone to premature illness and death, especially the women. When Black male writers meet it's like a session of the American Diabetic Association.

Few white citizens are acquainted with blacks other than those projected by the media and the so--called educational system, whichis nothing more than a system of rewards and punishments based upon one's ability to pledge loyalty oaths to Anglo culture. The media and the "educational system" are the prime sources of racism in the United States.

David Simon [the creator of The Wire] and I have a running controversy for years. It all stems from a telephone call I made to KPFA [Pacifica radio] when he was a guest there in the 90's on Chris Welche's show. He was going around the country with a Black kid from the Ghetto to promote something called The Corner - it was all about Blacks as degenerates selling drugs, etc.

Joel Chandler Harris, who created a multi billion dollar industry, everything from his books, to Disney's "Song of the South" based upon the Uncle Remus stories. He got his start by transcribing the stories of slave Informants. I'm sure that none them got a dime.

Another California study counted 30,000 substance abusers who are pregnant are White woman. So, The Wire paints the picture of drug addiction, drug dealing, and drug abuse as being a specifically a Black issue.

We not only grew up on Be-Bop; Be-Bop raised us. For my generation, Be-Bop came on like a light bulb going flash behind the eyes.For us, it was not only an intellectual movement, but a way of life. We walked, dressed, and rapped Be-Bop.

I try to do what has never been done before.