I had three choices: to conform to my own beliefs, which meant death; complete silence, which meant another kind of death; to pay a tribute, a bribe. I chose the third solution by writing The Long Winter.

An Albanian’s house is the dwelling of God and the guest.’ Of God and the guest, you see. So before it is the house of its master, it is the house of one’s guest. The guest, in an Albanian’s life, represents the supreme ethical category, more important than blood relations. One may pardon the man who spills the blood of one’s father or of one’s son, but never the blood of a guest.

It was only a phrase that went from mouth to mouth and was never quite swallowed.

To tell the truth, this was one of the few cases in which she had not told him just what she was thinking. Usually, she let him know whatever thoughts happened to come to her, and indeed he never took it amiss if she let slip a word that might pain him, because when all was said and done that was the price one paid for sincerity.

Dictatorship and authentic literature are incompatible... The writer is the natural enemy of dictatorship.

In our city spring came from the sky, not from the soil, which was ruled by stone that recognizes no seasonal change. The change of the season could be glimpsed in the thinning of clouds, the appearance of the birds and the occasional rainbow.

If an animal has to be sacrificed when a new bridge is built, what will it take to build a whole new world?