I had three choices: to conform to my own beliefs, which meant death; complete silence, which meant another kind of death; to pay a tribute, a bribe. I chose the third solution by writing The Long Winter.

And everything would be different, different.

Winter hurled more wind and rain at the city than it ever had before. Clouds dashed about in all directions emptying their thunder, hail and rain. The horizon was choked in fog.

Shiny musical instruments wailed, their mouths open like lilies.

His suspicion that he was not going in the right direction tortmented him more and more. At last he had the conviction that he would never go anywhere but in the wrong direction, to the very end of the handful of days that was left to him, unhappy moonstruck pilgrim, whose April was to be cut off short.

Not a single thought managed to take shape in her mind: for the likeness of this day to the last seemed to her the clearest proof that it would be another quite useless day, a day she would gladly have done without. For a moment she thought that a day like this would be pointless for anyone on earth, then abruptly changed her mind as she realised that thousands of women, after a hard week's work, or a family quarrel, or even just after catching a cold, would envy her just for having the leisure to rest in comfort.

An Albanian’s house is the dwelling of God and the guest.’ Of God and the guest, you see. So before it is the house of its master, it is the house of one’s guest. The guest, in an Albanian’s life, represents the supreme ethical category, more important than blood relations. One may pardon the man who spills the blood of one’s father or of one’s son, but never the blood of a guest.