I felt no need to write a German-bashing play.

Maybe all theatre is going to be irrelevant for all time.

Lou Tyrrell has created a theatre that is a safe haven for playwrights, a birthing center for new American writing. Arts Garage has created a vital, enthusiastic audience for theatre, music, painting and sculpture in Delray Beach.

I began coming to Paris in the 1960s when I was told audiences here liked my work. More than 20 of my plays have been produced in Paris, and several have had long runs and have returned in revivals.

There is no crime greater, or more worthy of punishment, than being strange and frightened among the strange and frightened; except assimilation to the end of becoming strange and frightened, but apart from ones own real self.

Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place.

Any actor, any playwright who's worked a life in the theater knows how to do things cheaply and quickly. It's just all by necessity. Invention is everything.