When you're headlining, people are paying to come see you specifically. It's a different kind of pressure, because you've got to deliver. You've got to give these people what they paid for. It's a different mind state, a different type of mentality, but it's honestly a pretty good problem to have, you know?

You can't reverse fame. You can lose all the money, but you'll never lose people knowing you.

The same ones you love will bring you pain.

In my mind, New York was the place where they had the underground rap shows and I could get in on some ciphers and just rap. This whole fantasy world I had created in my head about New York just from listening to the music my whole life, like, I'ma go up there and do that. But when I came up here, there was none of that, that scene was dead.

I begged my mom for a beat machine, she spent a crazy amount of money - so there were no more Christmases, no more basketball camps, no more birthday gifts. I always knew that's what I wanted to do.

I think all you can really do is use the tour to kinda fill up with experiences and thoughts, and then, when you get back to the studio, or in some type of creative environment, that's when you release everything that you've encountered on tour.

I always feel like it's two key ingredients when it comes to following your dreams, making something happen that the average person deems difficult. If you truly believe it, that's step one. Step two, is, you know, the hard work that goes along with it.