I begged my mom for a beat machine, she spent a crazy amount of money - so there were no more Christmases, no more basketball camps, no more birthday gifts. I always knew that's what I wanted to do.

I wanna show you I can out-rap your favorite rappers. I wanna show you I can out-produce your favorite producers. So I'm constantly getting better and I understand that there's always room for growth, especially in quality, sonic quality.

If you ain't aim too high, then you aim too low!

I was inspired by, when I was in college, seeing some incredible speakers come to my school: Michael Eric Dyson, Spike Lee, Nikki Giovanni, and other poets and writers. I always loved that experience: going and sitting in an auditorium and listening to their opinions.

When you're headlining, people are paying to come see you specifically. It's a different kind of pressure, because you've got to deliver. You've got to give these people what they paid for. It's a different mind state, a different type of mentality, but it's honestly a pretty good problem to have, you know?

I was a class clown. At 12, I was definitely clowning. I was making all the jokes. But I was smart, so the teachers didn't know what to do with me.

I'm not gonna be bad at anything, and I want to actually be the best at anything I'm doing. So if I'm playing basketball, if I'm taking the SATs, like, there's a competitive spirit behind it. With production, it's the same thing.