Never in my career have I got the support for what I'm doing, any more than I have on Fringe.

You just have to learn to get really good at choosing your moments and making sure that your story isn't overwhelmed by the effects, and that your emotional storyline is what's driving the train.

What's a hero, if not for its journey. I think you're going to recontextualize what saving the world means, and I think that you will be satisfied with the stakes. That's all I can say about that.

I would much rather have somebody say, "You know what? I just didn't like what you were doing," then say, "They didn't know what they were doing." I know what I'm doing. If it's going to be bad, or if it's great, it's me, in either case.

No love story worth telling is easy. The hills and valleys that make a relationship, in my opinion, is really a dynamic worth watching.

You don't know what's coming for you in life, and you don't know what's around the corner. When you're in a great deal of pain, you're only imagining your world the way it is.

There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.