You realize that everything is a moving budget, and sometimes you've got to borrow from Peter to pay Paul, to make it happen.

You just have to learn to get really good at choosing your moments and making sure that your story isn't overwhelmed by the effects, and that your emotional storyline is what's driving the train.

The future that I see celebrates those types of like-minded ideals and ideas. I don't know what's coming, but I know that we're not going to get knocked out so easy.

I would much rather have somebody say, "You know what? I just didn't like what you were doing," then say, "They didn't know what they were doing." I know what I'm doing. If it's going to be bad, or if it's great, it's me, in either case.

Once people start to realize the consistency of quality that is coming, they'll start to open up their minds a little more and say, "Wow, this is great. I'm going to tune into this." It's not just for the geeks and the people that are into it. It's actually really fascinating. That's my take on it.

The heart is an organ of fire and you can't stop it from feeling or connecting.

A lot of people plan for failure, but they don't plan for success, and that's a big problem, especially in the TV world 'cause you're trying to find out what your show is.