I fell in love with the possibilities of telling the story in the future, and married that quickly.

I'm consistently telling stories about the value of the human condition and connectedness and things like that.

It's so funny because, when the other world was being hatched and conceived, I just kept hearing, "Don't do that! That's a huge mistake! People love your characters. Why go to these new ones?" And I was like, "No, we can do this! I'm invested. Why wouldn't they be?"

You realize that everything is a moving budget, and sometimes you've got to borrow from Peter to pay Paul, to make it happen.

One thing Fringe has is no shortage of ideas. There are so many jumping off points that we could use and have thought about. I just wouldn't want to pull a trick like that on the viewers. I really want to reward them. I honestly and sincerely feel that it's the most miraculous fan base I've ever seen, so I just want to make sure I use every fiber of my body to deliver for them what I think is going to be satisfying for their loyalty.

I believe in the human spirit. And usually the people who are following me - my fans and things like that - are like-minded people, in that regard. They like to hear about people being in pain, but that are okay, and people feeling like they can't go on, but then they find a reason to go on. How do you marry someone and love them, and then they die? How does that happen? Why are we on this journey? They want to talk about things, and they want to understand. So, this is the perfect vehicle for that.

There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.