I grew up watching a lot of French cinema.

I think that any show that doesn't have huge ratings, that's what you're always up against. Meanwhile, conversations are ongoing. Everything is running the way that things usually run, in these types of situations. I guess we'll find out, like everybody else. But, we don't fret about it because, really, it's out of our control. We can only step back and do our work, and therein lies the serenity. We're hoping for the best and just doing what we love.

Another part of the challenge was to bring back things that you've forgotten about and maybe some things you haven't forgotten about, recontextualize them and have the series make sense.

I just have a different impression of the human race. I think we're really resilient. I think there are a lot of cynical people out there right now, and probably for good reason. But I think that ever cynic is really a damaged romantic, and they really, really, really want things to be good. And if that's the case, I don't need to tell a story that says, "Humanity, look what you've done. Now you can't go out. There's no sun. Look how you've wrecked the world." That's not me. That's not my job.

Fortunately, at the end of every season, we close the chapter and start anew. That's the language of the series now, so it can organically come to a conclusion that we love.

Life is painful sometimes. It touches everyone, so you may as well try to look for other answers and find peace. So, it is difficult to write those types of things because nobody wants to tell sad stories. I think that I'll always tell stories about human hope. I would love to be able to tell somebody, "It's okay. It's all right. Be a good person." That's what my job is, in life.

What was so great about Lost was that it came to the front door as a drama that was straight-up and really gave you the sci-fi underneath it all. It backed into sci-fi show, at least in my opinion. As soon as they got hooked, they were like, "Okay, I'm there."