I grew up watching a lot of French cinema.

The heart is an organ of fire and you can't stop it from feeling or connecting.

The way that I work is that I try to work in metaphors, and you can't write a metaphor unless you know where you're going, so I always think about the future.

I want to talk about hope. Are we going to be completely lambasted by things we don't see coming? Yeah. Is it going to damage the human race and hurt us? Probably many times. Are we going to get over it? Absolutely. Are we going to move through it? Yes.

You just have to learn to get really good at choosing your moments and making sure that your story isn't overwhelmed by the effects, and that your emotional storyline is what's driving the train.

I think that any show that doesn't have huge ratings, that's what you're always up against. Meanwhile, conversations are ongoing. Everything is running the way that things usually run, in these types of situations. I guess we'll find out, like everybody else. But, we don't fret about it because, really, it's out of our control. We can only step back and do our work, and therein lies the serenity. We're hoping for the best and just doing what we love.

The whole message of the piece was that possessions are transient. You don't know if you are going to be able to have time with somebody, so you better be careful.