I'm literally open to any medium that will have me.

Well, you know, going into any project, especially with a fan base as vocal and passionate as something as "Star Wars," you will have groups of people who will find issues with whatever it is you're doing. But our job was to tell the best story we could about characters that we loved, and we knew that we needed to go backwards to go forwards, and we needed to go back to a feeling and a place and a time.

The idea to put episodes out weekly in theory makes as much sense as putting them all out at once.

When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.

I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.

I think that the success of the film is as much about it being something that families could share as anything else.

It's not a bad way to live once you let go of the idea that you deserve more.