I have spied for you and lied for you, put myself in mortal danger for you. Everything was supposed to be to keep Lily Potter’s son safe. Now you tell me you have been raising him like a pig for slaughter —

Ginny Weasley, who sat next to Colin Creevey in Charms, was distraught, but Harry felt that Fred and George were going the wrong way about cheering her up. They were taking turns covering themselves with fur or boils and jumping out at her from behind statues.

Depression isn't just being a bit sad. It's feeling nothing. It's not wanting to be alive anymore.

Harry's status as orphan gives him a freedom other children can only dream about (guiltily, of course). No child wants to lose their parents, yet the idea of being removed from the expectations of parents is alluring. The orphan in literature is freed from the obligation to satisfy his/her parents, and from the inevitable realization that his/her parents are flawed human beings. There is something liberating, too, about being transported into the kind of surrogate family which boarding school represents, where the relationships are less intense and the boundaries perhaps more clearly defined.

The trouble is, the other side can do magic too, Prime Minister.

I forgot Dumbledore trashed Hogwarts, refused to resign and ran off to the forest to make speeches to angry trolls.

How awful it was, thought Tessa, remembering Fats the toddler, the way tiny ghosts of your living children haunted your heart; they could never know, and would hate it if they did, how their growing was a constant bereavement.