J. Michael Straczynski Quotes

I don't start writing a script until I can see it all in my head, then it's a matter of getting it down in white heat.

Half-way through any big project, everyone forgets what they're doing.

Stage-persona notwithstanding, I'm extremely shy and quiet. Almost painfully shy. People misinterpret that as being above it all or not interested.

The only thing that I discovered very early on is that, even though we might change schools and cities and towns and states, the books in the library were the same. They had the same covers. They had the same characters. I could go and visit those people in the library as if I knew them.

Again, one of the problems I have with television, as I mentioned before, is it's trivial in many ways, and I think that a lot of folks out there are looking for new metaphors and new ways of thinking about things.

I've always been kind of a mutt creatively. I started off in journalism, and I've actually done more police and procedural shows than I've ever done science fiction shows. I was on 'Murder She Wrote,' I was on 'Walker, Texas Ranger,' I was on 'Jake and the Fat Man.'

If there’s any other message in this to readers, it’s in these two characters as icons of hope, that it doesn’t make any difference where you come from, or where you went to school, or who you are, there’s hope. That a kid from Jersey with Superman as the icon that kept him alive for years would one day end up writing the character is as absoutely unlikely as it is utterly inevitable. And if that’s true for me, it’s true for you, if you follow your dreams and your passions in full flight. Don’t give up. No Limits. It’s never too late to learn to fly.

I'm sorry, but anyone who thinks the use of an angelic (or seemingly angelic character), whose likes have been written about for, oh, about 4,000 years, is ripping off Star Trek, has his head so thoroughly up his ass as to have blipped into an entirely new intestinally-based reality and desperately needs to get a wider frame of reference.

Never follow somebody else's path; it doesn't work the same way twice for anyone... the path follows you and rolls up behind you as you walk, forcing the next person to find their own way.

I was born in Patterson, New Jersey, and raised pretty much all around the country. My family tended to move from place to place following economic prospects and jobs and looking for new opportunities, so we changed schools, colleges, grade schools, high schools every 6 months to a year - depending on the breaks.

The future is all around us, waiting, in moments of transition, to be born in moments of revelation. No one knows the shape of that future or where it will take us. We know only that it is always born in pain.

I'm delirious with joy. It proves that if you confront the universe with good intentions in your heart, it will reflect that and reward your intent. Usually. It just doesn't always do it in the way you expect.

Take care, don't fight, and remember: if you do not choose to lead, you will forever be led by others. Find what scares you, and do it. And you can make a difference, if you choose to do so.

If every violent program in the nation were blipped off the air for 48 hours, and replaced by reruns of the 'Donna Reed Show', there would not be one less death in South Central LA. At most you'd have several more incidents of people shooting out their TVs.

You can only have one voice on set, and that has to be the director.

We are not powerless. We have tremendous potential for good or ill. How we choose to use that power is up to us; but first we must choose to use it. We're told every day, You can't change the world. But the world is changing every day. Only question is who's doing it? You or somebody else?

To understand this whole area, you have to stop thinking like a viewer and start thinking like a network programming exec.

You can't always relate to the big action things, but you can relate to small moments.

Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?'' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.

Like everyone else, I am going to die. But the words - the words live on for as long as there are readers to see them, audiences to hear them. It is immortality by proxy. It is not really a bad deal, all things considered.

On the Internet, inside information is currency, and there will always be counterfeiters among us.

People spend too much time finding other people to blame, too much energy finding excuses for not being what they are capable of being, and not enough energy putting themselves on the line, growing out of the past, and getting on with their lives.

There can always be new beginnings... even for people like us.

When I saw Wonder Woman being constantly put in positions where she'd get tied up with her own rope, or held hostage, even as a kid, my reaction was 'C'mon, she's too smart for that.'

A story is a story is a story. The only difference is in the techniques you bring to bear. There are always limitations on what you can and can't do. But I enjoy that. Just like when you write a sonnet or haiku, there are rules you have to abide by. And to me, playing within the rules is the fun part. It keeps the brain fresh.

I've worked on high visibility shows that weren't always the best, and low visibility shows that I love but that didn't have the PR behind them.

No dictator, no invader, can hold an imprisoned population by force of arms forever. There is no greater power in the universe than the need for freedom. Against that power, governments and tyrants and armies cannot stand. The Centauri learned this lesson once. We will teach it to them again. Though it take a thousand years, we will be free.

On most TV shows, you work on a set and do some location.

When you're writing a story in bits and pieces, month in and month out, there really isn't time or space for reflection, no room to learn what those scripts had to teach you.

The whole point of having great characters is the opportunity to explore them more deeply with time, re-interpreting them for each new age.

Thank you, but I'm afraid I can't accept your compliment. You see, I'm an atheist, so if I'm also God, that would mean that I don't believe in myself, and at this point in my life, I don't need the added insecurity.

Understanding is a three-edged sword. Your side, my side, and the truth.

A movie is a movie and a book is a book, and they have different rules.

I also like to look at the dynamic that takes place between religion and science because, in a way, both are asking the same questions: Who are we? Where do we come from? Why are we here? Where are we going? The methodologies are diametrically opposed, but their motivation is the same; the wellspring is the same in both cases.

They told us not to wish in the first place, not to aspire, not to try; to be quiet, to play nice, to shoot low and aspire not at all. They are always wrong. Follow your dreams. Make your wishes. Create the future. And above all, believe in yourself.

I like to consider my mind an open door. It's just not a revolving door.

We walk in dark places no others will enter. We stand on the bridge and no one may pass. We live for the One. We die for the One. -- the Ranger oath

Captain John Sheridan: I wish I had your faith in the universe. I just don't see it. Delenn: Then I will tell you a great secret, Captain. Perhaps the greatest of them all. The molecules of your body are the same molecules that make up this station , and the nebula outside, that burn inside the stars themselves. We are starstuff. We are the universe made manifest, trying to figure itself out. And as we have both learned, sometimes the universe requires a change of perspective.

I think for any writer, creating and controlling your own property is the ultimate dream.

It is imperative for many branches of fundamentalist christianity to constantly feel conspired against...so they cite humanist manifestos and theosophical societies and concoct these vast and dark organizations that exist nowhere but in the minds of those who conceive these theories.

When it comes down to it, the reason that science fiction endures is that it is, at its core, an optimistic genre. What it says at the end of the day is that there is a tomorrow, we do go on, we don't extinguish ourselves and leave the planet to the cockroaches.

The point of mythology or myth is to point to the horizon and to point back to ourselves: This is who we are; this is where we came from; and this is where we're going. And a lot of Western society over the last hundred years - the last 50 years really - has lost that. We have become rather aimless and wandering.

You don't buy into huge car chases or sensates or interstellar warfare, but you can buy into a loving relationship or a father-son relationship, and you can buy into the small humor. If you want to make your fiction universal, go small. That's the best way to do it.

I've written for every medium except poetry, at which I suck.

Avoid the tyranny of the reasonable voice...it will guarantee a complacency of never trying anything adventurous.

A good story should provoke discussion, debate, argument...and the occasional bar fight.

There was a point when comics were considered to be mainly of interest to kids, and it was decided that kids could relate more to someone their own age than an adult. So suddenly all these previously grownup comics were lousy with sidekicks: Aquagirl, Aqualad, Robin, Kid Flash, Speedy, Stripesy... the list goes on.

There's a lot of comics writers out there whose work I appreciate and who are nice guys. I really want to work with guys I really respect and enjoy.