All of life is a foreign country.

It’s a sort of furtiveness … Like we were a generation of furtive. You know, with an inner knowledge there’s no use flaunting on that level, the level of the ‘public’, a kind of beatness – I mean, being right down to it, to ourselves, because we all really know where we are – and a weariness with all the forms, all the conventions of the world … It’s something like that. So I guess you might say we’re a beat generation.

My eyes were glued on life and they were full of tears.

I don't wanta hear all your word descriptions of words words words you made up all winter, man I wanta be enlightened by actions.

The unspeakable visions of the individual.

Anybody doesn't like these pitchers don't like potry, see? Anybody don't like potry go home see television shots of big hatted cowboys being tolerated by kind horses. Robert Frank, Swiss, unobtrusive, nice, with that little camera that he raises and snaps with one hand he sucked a sad poem right out of America onto film, taking rank among the poets of the world. To Robert Frank I now give this message: You got eyes.

I rather like the idea of having all my hours to myself: eating a Fudge Sundae, watching a movie, sleeping on my couch, singing in the bathroom, studying the woods, kidding around with a girl, playing cards lazily - all kinds of stuff that American brands 'shiftless.'