...[the photographer] can be considered a kind of disembodied burrowing eye, a conspirator against time and its hammers. His work, print after print of it, seems to call to be shown before the decay which it portrays flattens all... Here are the records of the age before an imminent collapse.

The more ups and downs, the more joy I feel. The greater the fear, the greater the happiness I feel.

We turned at a dozen paces, for love is a duel, and looked at each other for the last time.

all I wanted to do was sneak out into the night and disappear somewhere, and go and find out what everybody was doing all over the country.

It's pretty amazing to see a guy, while steering at the wheel, suddenly raise his little 300 dollar German camera with one hand and snap something that's on the move in front of him, and through an unwashed windshield at that. (On the road with Robert Frank, 1958)

A scene should be selected by the writer for haunted-ness-of-mind interest. If you're not haunted by something, as by a dream, a vision, or a memory, which are involuntary, you're not interested or even involved.

Return those shoes to the shoemaker Return this hand to my father This pillow to the pillowmaker Those slippers to the shop. That wainscot to the carpenter, But my mind my tranquil and eternal Mind Return it to whom?