I never had a policy about marriage. I got married very young in life and I always think in all relationships, I've always thought that it's counterproductive to have a theory on that.

I suppose I can do more for a script as an actor than as a writer - in the film sense.

I just know that sameness, repetition, and conceptualizing are the acting craft's adversaries, and it seems more intelligent to start off within a framework where those things are, to some degree, taken out of your hands.

There's a period just before you start a movie when you start thinking, I don't know what in the world I'm going to do. It's free-floating anxiety. In my case, though, this is over by lunch the first day of shooting.

It's the post-literate generation that is most disturbing to a movie-maker. The explosions and the knifings. People like to go to what's hot and you can't get past a certain gross unless you involve children who go more than once.

I used to be very quick, I would be able to leave the room and be back before you noticed. When you can't do that anymore you need to change the style of how you do things. But I'm very interested in life and you don't want to lose that.

There are major influences on us that people are not aware of. There are big lies that nobody's willing to discuss.