Comedy is more difficult. You can look at scenes when you're doing a drama like, “Maybe it works,” but in comedy, when you're doing it, either it works or it doesn't. You have to keep doing it until it does, and the requirement is more.

I just know that sameness, repetition, and conceptualizing are the acting craft's adversaries, and it seems more intelligent to start off within a framework where those things are, to some degree, taken out of your hands.

My motto is: more good times.

This town needs an enema!

Because of the way the business is structured, I have sometimes turned down scripts that I might otherwise have accepted had I known who was directing them.

How would I like to be seen? Very endearing, charming, intelligent, handsome.

I look for a director with a script he likes a lot, but I'm probably after the directors more than anything.