For new bands, I think a major label is the safest place to be. Independent labels are the ones getting away with murder. A lot of them are hobbyists who rip-off young bands, taking advantage of people who would never get signed to a major.

I dabbled in things like Howlin' Wolf, Cream and Led Zeppelin, but when I heard Son House and Robert Johnson, it blew my mind. It was something I'd been missing my whole life. That music made me discard everything else and just get down to the soul and honesty of the blues.

I have three dads: my biological father, God and Bob Dylan.

I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.

I gave myself over to music and art a long time ago, so I don't get to relax and I don't get to sit still. The best I can do is constantly create my own environment so it benefits what I need to accomplish in the next step.

I know that's blasphemous when you are from Detroit, but I was never a fan of Motown stuff. I don't care for the production much.

I think the most important thing is to start with something that fits perfectly. Don't worry about having it in five colors.