One of the things you learn at drama school is not to play the result, but just to play the moment.

My taste is very eclectic. I love musicals, but I also love the classics. I've seen some fantastic productions. I was in a musical for 600 performances in Australia that I first saw in New York.

Emily and I have some funny scenes where we quarrel and it gets quite heated, the mother-daughter relationship. You know, film mothers and daughters adore each other. And some don't. But how could you not love Emily Blunt? But I think I'm just one of those people who's always discontented.

I know that Philadelphians hate New York actors passing off New York accents as Philadelphian when they are quite different.

I love gay Mardi Gras in Sydney, which is a big parade, a big march that thousands and thousands of people participate in. And there's one little group... well it's not little, it's got hundreds of people marching, and they're all very sweet, middle-aged and elderly people who are the parents of gay children who are out and proud.

It's fascinating. It's also exhilarating when you see people making the exact same choices that you've made. It kind of validates what you've decided to do. I saw a wonderful production of Jessica Lange doing Streetcar with Alec Baldwin. It was gorgeous. It's a measure of what a great classic that is, that our Cate Blanchett also did an absolute amazing Blanche in Sydney, as well as in New York.

Well, let's say Asian. Some are Japanese. Some are Chinese. Some are Thai. Some are Vietnamese. He runs the gamut. And I actually happen to have a very dear daughter-in-law who's Japanese. I don't know what she's going to make of the film, but I say a few disparaging things.