One of the things you learn at drama school is not to play the result, but just to play the moment.

I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'

Even in Australia I'd say 80 percent of our television was American. I grew up watching Alfred Hitchcock Presents and The Twilight Zone. I used to sit with my mum when I was just nine years old, trying to guess what the twist would be. I love that kind of thing.

I think we're all capable of bad things but luckily most of us are able to curb ourselves.

It wasn't on my agenda, but the thing about getting important awards is it makes the adventure of your career have a little more possibility. I think just what's happened so far is already making the opportunities more interesting, even though I'm at the twilight of my career of like 48 years.

It's fascinating. It's also exhilarating when you see people making the exact same choices that you've made. It kind of validates what you've decided to do. I saw a wonderful production of Jessica Lange doing Streetcar with Alec Baldwin. It was gorgeous. It's a measure of what a great classic that is, that our Cate Blanchett also did an absolute amazing Blanche in Sydney, as well as in New York.

I haven't really had a major role in film for about 12 years. But I never stopped working in the theater. I do stuff back to back.