There was never any effort made out there to improve the artist.
I just knew how to do the one thing I did, and whether I did it well or not depended on who the director was.
A lot of people like to run in plays because it's a nice, steady job.
I hope this series is good work, but it is in the half-hour medium, which is limited to a kind of mediocrity that sponsors are just dying to have right now, and the public, for some reason, is unconsciously demanding.
If it's boring, then it's tiring.
I never say too much about that in public interviews, because it disappoints the public to tell them you're not that crazy about a property you did that possibly they liked.